Inside the space of 20-or-so minutes, you meet the rest of the supporting cast: die-hard Rebel Alliance intel officer Cassian Andor (Diego Luna), sardonic reprogrammed Imperial droid K-2SO (voiced by Firefly alum Alan Tudyk), defecting Imperial pilot Bodhi Rook (Riz Ahmed), Rebel extremist and Jyn’s onetime mentor Saw Gerrera (Forest Whitaker), blind-but-vaguely-Force-sensitive Chirrut Imwe (Donnie Yen), and his friend, protector, and Heavy Weapons Guy Baze Malbus (Jiang Wen).
ROGUE ONE SOUNDTRACK REVIEW MOVIE
Once you flash forward to the main action of the movie and meet an adult Jyn (Felicity Jones), things get more hectic. Galen is taken, Lyra shot dead, and Jyn hidden away, left in the care of a family friend. Unfortunately for the Erso family, the request is not optional.
Where Episode VII gave us instantly memorable characters in a movie that suffered because it so meticulously replicated the story arcs and emotional beats of A New Hope, Rogue One gives us a more engaging story populated by characters who would benefit from a little more breathing room. But it's also the inverse of The Force Awakens. The good news is that Rogue One is a mostly successful attempt to tell an interstitial Star Wars story, one that in some ways is even more powerful than the main entries because it has to really roll around in the blood and the dirt. But more important for the franchise, Rogue One kicks off the true beginning of Disney's effort to change Star Wars from a traditional franchise that tells one big story into a Marvel-esque money-printing machine that spins a web of smaller interconnected stories that come out one or two times a year. Rogue One is the movie version of those two paragraphs. The opening crawl of any Star Wars movie is quickie table-setting, a sort of lazy but efficient way to establish some stakes so it can drop us into the action. Those lines are from the opening crawl of the original Star Wars film released in 1977, before it spawned a decade-spanning mega-franchise and before it had even picked up the "Episode IV" tag that implied that we were picking up in the middle of the story. Here are some of Michael Giacchino’s top scores throughout his career.Further Reading Star Wars: The Force Awakens is a great starter film for a new generation But his original scores, too, have had such a lasting impact on pop culture across television and film. From Jurassic World to Rogue One: A Star Wars Story, Giacchino has also followed the great John Williams in producing movie scores. It’s a difficult task to adapt a new Batman theme, especially in the footsteps of Danny Elfman and Hans Zimmer, but Giacchino has followed in such legendary footsteps throughout his career. While the theme itself evokes the dark, orchestral overtones often associated with Batman, Giacchino’s theme even has hints of the campy '60s Batman theme. Giacchino’s theme was first teased when Robert Pattinson’s test footage in the cape and cowl was released. In anticipation of the film’s release, his new Batman theme has been released, and it really does pack a punch.
In just a few weeks and after a number of delays due to the pandemic, Matt Reeves’ The Batman will finally come to theaters, and along with it Michael Giacchino’s score.
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